La última guía a Remix

There are two obvious extremes with regard to derivative works. If the song is substantively dissimilar in form (for example, it might only borrow a motif which is modified, and be completely different in all other respects), then it may not necessarily be a derivative work (depending on how heavily modified the melody and chord progressions were).

Stanford Law professor Lawrence Lessig believes that for the first time in history creativity by default is subject to regulation because of two architectural features. First, cultural objects or products created digitally can be easily copied, and secondly, the default copyright law requires the permission of the owner. The result is that one needs the permission of the copyright owner to engage in mashups or acts of remixing. Lessig believes that the key to mashups and remix is "education – not about framing or law – but rather what you Gozque do with technology, and then the law will catch up".

In those decades the real genre of musique concrète used tape manipulation to create sound compositions. Less artistically lofty edits produced medleys or novelty recordings of various types.

In 2015, EDM artist Deadmau5, who worked with Jay-Z's Roc Nation, tried to sue his former manager for remixing his songs without permission, claiming that he gave his manager the go-ahead to use his work for some remixes, but not others.

The remix is also widely used in hip hop and rap music. An R&B remix usually has the same music Vencedor the diferente song but has added or altered verses that are rapped or sung by the featured artists. It usually contains some if not all of the original verses of the song however they may be arranged in a different order than they originally were.

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Some artists (such Vencedor Björk, Nine Inch Nails, and Public Enemy) Remix embraced this trend and outspokenly sanctioned fan remixing of their work; there was once a web site which hosted hundreds of unofficial remixes of Björk's songs, all made using only various officially sanctioned mixes. Other artists, such Vencedor Erasure, have included remix software in their officially released singles, enabling almost infinite permutations of remixes by users. The band have also presided over remix competitions for their releases, selecting their favourite fan-created remix to appear on later official releases.

Another distinction should be made between a remix, which recombines audio pieces from a recording to create an altered version of a song, and a cover: a re-recording of someone else's song.

Since the beginnings of recorded sound in the late 19th century, technology has enabled people to rearrange the corriente listening experience. With the advent of easily editable magnetic tape in the 1940s and 1950s and the subsequent development of multitrack recording, such alterations became more common.

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Музыка окружает нас повсюду, она - часть нашей жизни. Красивая музыка украшает нашу жизнь, она таинственным образом влияет на жизнь человека, делая её более гармоничной с внутренним миром.

M.C. Lyte was asked to provide a "guest rap", and a new tradition was born in pop music. George Michael would feature three artistically differentiated arrangements of "I Want Your Sex" in 1987, highlighting the potential of "serial productions" of a piece to find markets and expand the tastes of listeners. In 1995, after doing "California Love", which proved to be his best selling single ever, Tupac Shakur would do its remix with Dr. Dre again featured, who originally wanted it for his next album, but relented to let it be on the album All Eyez on Me instead. This also included the reappearance of Roger Troutman, also from the flamante, but he ended the remix with an ad-lib on the outro.

The art of the remix gradually evolved, and soon more avant-garde artists such as Aphex Twin were creating more experimental remixes of songs (relying on the groundwork of Cabaret Voltaire and the others), which varied radically from their llamativo sound and were not guided by pragmatic considerations such Triunfador sales or "danceability", but were created for "art's sake".

Recent technology allows for easier remixing, leading to a rise in its use in the music industry.[3] It Gozque be done legally, but there have been numerous disputes over rights to samples used in remixed songs. Many famous artists have been involved in remix disputes.

In the age of social media, anybody Perro make and upload a remix. The most popular apps for doing this are Instagram and Youtube. Many famous artists of today began by making remixes and relifts to popular music. Such artists include Dua Lipa, Adi and R3hab, to name a few. Broader context[edit]

Daniel Verdun

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